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Same goes for when Black suggested a photo session, which you can see above!
But it ended with each reporter getting a photo op with the devilish doll. This interview was meant more to give us a sense of the character than for any relevant news. But in post, his voice will be replaced by Jack Black's, a nod to the curious connection between Slappy and Stine. In production, Jones provides both the movements and voice of Slappy.
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And a room full of adults stared only at the puppet, completely forgetting-however briefly-the man manipulating him it. Jones joined us, speaking through the iconic Slappy. And that's the only way to describe interviewing a dummy. Slappy is all the mischief and attitude you'd hope for. I don’t really ever get used to it." But also the ghouls. She shared, "It’s just, I’m amazed every time I see it. Minnette suggested the clown, whom he called "genuinely scary," but added, "Slappy has always been scary to me." Lee concurred, but his vote went to the scarecrows "that are 12 feet tall!" For Rush, it's the bog monster, a towering bramble of moss, tree limbs and rage. The scariest Stine critter is up for debate.
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So, we didn’t really use the covers of books or the TV show as really the inspiration as much as Stine’s words." We were asked to use that as our main focus for determining what the characters would look like. Prouty explained, "With most of the creatures, the inspiration came directly from descriptions in the books, which was what we were given as our guide. Make-up Department Head Fionagh Cush and Make-Up Effects Designer Stephen Prouty dished with us about their designs. The make-up team stayed true to the books. (On Goosebumps) we have a great make-up department who do an amazing job." I did Super Eight, it was a tennis ball the whole entire time. Ryan Lee said, "It’s a lot easier to act with something that is really there. In fact, the practical monsters proved so impressive that the script was changed during production to allow for many of these to get more screentime.Īnd it made for a positive difference for Goosebumps leads. We were lucky enough to see a slew of the practically created creatures in action, from sneering pirates, to groaning ghouls, moaning mummies, vicious vampires, to a cavalcade of other characters. Using Amblin as inspiration, Letterman favored practical monsters and effects make-up over CGI creatures, though some beasts - like the Abominable Snowman of Pasadena, and a 60-foot-tall Praying Mantis - demanded to be made in CG. Monsters were practical whenever possible.
But when kids read them, they all thought they were really scary books!" I think it’s just scary enough where it’s a fun experience to watch the movie." And Moritz concluded, "Look, the books aren’t that scary. It’s going to be a thrill ride for kids." Lee concurred, adding "It’s cool because it’s not too scary. In that vein, Minnette described Goosebumps as "a great adventure. Letterman's team took a cue from the Amblin movies of the 1980s, which felt real and scary, but used humor to keep things from getting too intense. The filmmakers realize kids like to be scared, not traumatized. That’s about the limit of it."Īnd the way that Goosebumps producer Neal Moritz described it to us, "When we screen the movie, kids get scared, but they’re so proud of themselves that they were able to make it through the movie! It’s like a rite of passage." You just got to go more creative."įor his part Letterman added, "I do take a step back and just make sure it’s appropriate and accessible. You can be just as funny in a PG movie, as you can in an R. The only real difference is, you know, language. You want it to be entertaining and I think funny is funny whether it’s for kids or grown-ups.
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Black said of making family comedies, "I don’t really think of it differently as making a movie for grownups or making a movie for kids. Goosebumps reteams the sometimes crass comedian with his Gulliver's Travels director Rob Letterman. The secret to making comedy for kids isn't that complicated. Stine!' I know there’s going to be some haters. Don’t come into this movie thinking, 'I know R.L. I don’t really look, sound, or act like him in this movie. The way that this character is written is a lot different than the way he actually is in real life. "It’s a fictionalized version… He’s a sweet guy, really great guy to hang out with, funny, but he doesn’t come across as like, a scary or like mean dude. But none of the things that are happening here actually happened in R.L.
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